Entry tags:
What's up with Teamwork?
So... this moment in Teamwork, with Kyuubi rampaging happily, it's pretty much the scene I came up with the whole Teamwork 3 fic for.
Except I came up with it two years ago, and the world evolved, the characters evolved, and as I refined the scenes I realized I had HUGE plotholes incoming if I went with it exactly as planned.
This fight scene is messy. Very messy. Everything happens very fast, Sakura is on the verge of saying "fuck it" and running for her life, except she can't because that's her teammate going crazy there and she needs to make sure to keep the damages to a minimum.
Balancing Sakura-who-tries-hard-to-stand-her-ground and scared-Sakura and still-feeling-too-weak-to-actually-DO-anything-Sakura is difficult. She doesn't even know whether she wants to hide from Kyuubi or cling to him and hope he settles down or fight him or beg and hope it flatters him enough that he considers calming down. Nothing she can do at the moment seems like it could help, and I have some ideas as to what she can really do but there's no clear cut action to take for her and that's very hard to write properly.
Also, there are several opposing forces -- Kyuubi should be pretty simple, he wants to play and hunt, except there's the cub Sakura carries to consider and fuck if he doesn't want to consider it. Also he's an insane juggernaut of playful DEATH and keeping him from just bulldozing over everything is hell. (Also I'm forgetting the way he speaks, which doesn't help. ~__~)
Maneki the healer wouldn't mind cooperating on getting Kyuubi contained if he could do it safely but Kyuubi for some reason decided to go after him first, Kon the fox guy would cut a bitch if he could move his toes without bleeding and he wishes his teammates just grabbed him and ran like hell already, Zenko the ice bitch is as likely to use the confusion to stab Sakura if she gets a chance as she is of going after Kyuubi with serious intent to kill -- the team summon kids all have conflicting impulses that also make their action difficult to determine.
Then there's Sasuke, who -- I have no CLUE what he's doing. I think Kyuubi found he was too tired to be fun to play with and since he doesn't want to break him, he put sasuke in storage. Under a tree. Yeah. Sasuke comes back all pissed, great! and ... I dunno. He's probably going to try to come back and fight Kyuubi some more, but would that help? Probably not. It would only make the scene even more confusing. Anyway my inspiration regarding him in this fight approximates zero, which is really wrong because no way in hell would he not be right there.
Frankly, this scene is completely chaotic. It would be okay if it was only chaotic for a few seconds, but the chaos lasts and lasts until I can't even visualize what I just wrote anymore.
And I've recently realized that what I wanted to happen when I came up with the scene -- well, if I allow that to happen, there will be severe consequences I really do not want to deal with because it would make the whole universe way too dark. As it is, I already have heavy consequences planned, but consequences they can recover from. If I push it farther, ow. Broken.
But that means something else should happen to counter it and I'm still not too sure what.
So... The characters all have too many conflicting impulses for me to just let them go where they want to and see what happens, which I like to do usually; and I'm not even sure what I'm working TOWARD so I can't even build the scene from the other end.
Recently I've been trying to redefine more precisely and more believably what should happen next, so that I have a better idea of what I need to do to get there. But it's hard, and it's confusing, and it's a real mess.
But I have to keep trying because the payoff, oh, the payoff is shiny.
Hopefully. >_>
So at the moment I'm deleting ideas I had of what happened in between two must-have moments and trying to rebuild different, better bridges between them. Easier to comprehend. Not so emotionally exhausting. but that means I have to analyze the themes I want and then build actions and emotions on them and, just, that's so clinical and not the way I usually write and... Augh.
But hell if I don't want to start tearing off clumps of my hair and scream FUCK IT sometimes. I already find fight scenes confusing to write clearly when I have an exact idea of what happens and why, so a melee where the narrator doesn't even know for sure what her priorities are... ~__~
Edit: ALL HAIL QUEEN
book_people!
Booyah.
Not sure it's ALL fixed yet, i'll have to let it settle, but it seems to be unstuck!
I should have complained earlier, it seems that's the pattern -- I get stuck for weeks and months on end, then the second I give up and mention I'm stuck, BAM. XD But if I deliberately tried to use it then maybe it wouldn't work anymore... >__>
Anyway all that's left now is to actually get the inspiration to find the right words for those scenes so nicely outlined. Which. um. we'll see. >______>
Except I came up with it two years ago, and the world evolved, the characters evolved, and as I refined the scenes I realized I had HUGE plotholes incoming if I went with it exactly as planned.
This fight scene is messy. Very messy. Everything happens very fast, Sakura is on the verge of saying "fuck it" and running for her life, except she can't because that's her teammate going crazy there and she needs to make sure to keep the damages to a minimum.
Balancing Sakura-who-tries-hard-to-stand-her-ground and scared-Sakura and still-feeling-too-weak-to-actually-DO-anything-Sakura is difficult. She doesn't even know whether she wants to hide from Kyuubi or cling to him and hope he settles down or fight him or beg and hope it flatters him enough that he considers calming down. Nothing she can do at the moment seems like it could help, and I have some ideas as to what she can really do but there's no clear cut action to take for her and that's very hard to write properly.
Also, there are several opposing forces -- Kyuubi should be pretty simple, he wants to play and hunt, except there's the cub Sakura carries to consider and fuck if he doesn't want to consider it. Also he's an insane juggernaut of playful DEATH and keeping him from just bulldozing over everything is hell. (Also I'm forgetting the way he speaks, which doesn't help. ~__~)
Maneki the healer wouldn't mind cooperating on getting Kyuubi contained if he could do it safely but Kyuubi for some reason decided to go after him first, Kon the fox guy would cut a bitch if he could move his toes without bleeding and he wishes his teammates just grabbed him and ran like hell already, Zenko the ice bitch is as likely to use the confusion to stab Sakura if she gets a chance as she is of going after Kyuubi with serious intent to kill -- the team summon kids all have conflicting impulses that also make their action difficult to determine.
Then there's Sasuke, who -- I have no CLUE what he's doing. I think Kyuubi found he was too tired to be fun to play with and since he doesn't want to break him, he put sasuke in storage. Under a tree. Yeah. Sasuke comes back all pissed, great! and ... I dunno. He's probably going to try to come back and fight Kyuubi some more, but would that help? Probably not. It would only make the scene even more confusing. Anyway my inspiration regarding him in this fight approximates zero, which is really wrong because no way in hell would he not be right there.
Frankly, this scene is completely chaotic. It would be okay if it was only chaotic for a few seconds, but the chaos lasts and lasts until I can't even visualize what I just wrote anymore.
And I've recently realized that what I wanted to happen when I came up with the scene -- well, if I allow that to happen, there will be severe consequences I really do not want to deal with because it would make the whole universe way too dark. As it is, I already have heavy consequences planned, but consequences they can recover from. If I push it farther, ow. Broken.
But that means something else should happen to counter it and I'm still not too sure what.
So... The characters all have too many conflicting impulses for me to just let them go where they want to and see what happens, which I like to do usually; and I'm not even sure what I'm working TOWARD so I can't even build the scene from the other end.
Recently I've been trying to redefine more precisely and more believably what should happen next, so that I have a better idea of what I need to do to get there. But it's hard, and it's confusing, and it's a real mess.
But I have to keep trying because the payoff, oh, the payoff is shiny.
Hopefully. >_>
So at the moment I'm deleting ideas I had of what happened in between two must-have moments and trying to rebuild different, better bridges between them. Easier to comprehend. Not so emotionally exhausting. but that means I have to analyze the themes I want and then build actions and emotions on them and, just, that's so clinical and not the way I usually write and... Augh.
But hell if I don't want to start tearing off clumps of my hair and scream FUCK IT sometimes. I already find fight scenes confusing to write clearly when I have an exact idea of what happens and why, so a melee where the narrator doesn't even know for sure what her priorities are... ~__~
Edit: ALL HAIL QUEEN
Booyah.
Not sure it's ALL fixed yet, i'll have to let it settle, but it seems to be unstuck!
I should have complained earlier, it seems that's the pattern -- I get stuck for weeks and months on end, then the second I give up and mention I'm stuck, BAM. XD But if I deliberately tried to use it then maybe it wouldn't work anymore... >__>
Anyway all that's left now is to actually get the inspiration to find the right words for those scenes so nicely outlined. Which. um. we'll see. >______>

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yay brownies!
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Around six-eight hours. >_>;;;; Which means Naruto could get out of it in four hours! ... which is still too long. I already know how he'll wake up and why though.
The problem with bargaining is that Sakura doesn't have a lot to bargain with. I mean apart from sex but I really don't want to get into how dubious consent-ish it would get and how she would react to Naruto afterwards (her boyfriend and her rapist sharing the same body = aaaawkward.) I think she'll have to use a variety of misdirection/distraction/bribing/violence to really get anywhere with him, but the problem is that if it's not balanced properly then the whole thing could go bad very fast. Kyuubi is very hard to manipulate.
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Hitting him might just turn him on...which circles you back to the Dub-con. The 'Sasuke might be in danger' bone might work, but only for as long as it takes him to check back on his Love Nest. And if she goes that rout, she libel to be sack of Potatoed all the way back to Kyuubi's Love Nest. *Wants to see Kyuubi's idea of a love nest, really really badly now, and a ruffled, probably bound pissed off Sasuke stuffed there for safe keeping, because it will be good for the soul* Like I said, whatever you come up with is going to be AWESOME.
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don't give up!
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Yeah: Sasuke = No show just won't work. He's too much a stubborn, pushy bastard. He won't allow himself to be kept down for long. Frustrating, isn't it? And Kyuubi ... eh. Well, if the team Summons guy who put it on him ould undo it himself... well, Kyuu won't let that happen I am sure. And since Sakura is trying to do the same, I doubt he'll let her within arms length of him. Maybe Sasuke could show up and steal the tech from this guy with the Sharingan, but that would require him acutally seeing it. Hmm. How troublesome.
Hey, if the Sharingan copies everything permanently, why doesn't Sasuke suffer from some sort of information overload?
Rants are always helpful. We have faith in you, don't we, everybody?
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I think i found a way to make sasuke more present, so yay ^^
if the Sharingan copies everything permanently, why doesn't Sasuke suffer from some sort of information overload?
Because it's not actively present until sasuke needs to remember it? It's like, you know your bank code and phone numbers, but unless you're typing them in, they're not at the forefront of you mind. XD I guess. >>;
♥
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(Anonymous) 2009-04-05 08:22 pm (UTC)(link)Your "Teamwork" has been really inspiring until now, with great pow alternations and intro techniques.
Action scenes are beyond me, but yours have always been well-written. I officially thank book_people for helping out, she's doing us greedy fans a big favor.
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And, thank you very much for the encouragement. #^__^#
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(Anonymous) 2009-04-07 09:15 am (UTC)(link)The guy is a deep thinker-type, and always feels the need to analyze the way they work together. He's the one that's dealing with most of the moral and social issues that a threesome presents. The two girls don't feel the need to justify or explain their love.
It's kind of a big game where they're figuring out how much love is their own business and how much the families are entitled to know. Also, there's religion and inability to communicate, different emotional needs, financial pressure, clashing dreams and expectations.. It's one big chaos, actually, in my head as well as on paper, but damn is it ever fun to write!