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Still writer's blocked. I kinda want to do another kissing meme or dialogue meme, but we all know my track record with any meme that implies I actually need to write shit instead of just babbling away. >__>;;;;
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sayaka_sama:
The Rules:
1. Comment to this post with the name of a character that I have written in fics. Or geeked out about. Or RPed. You should probably make sure it's one I've written more than once or twice.
2. I will comment telling you the following:
A. What initially prompted me to like the character enough to write about him/her.
B. One of his/her best traits.
C. One of his/her worst traits.
D. How easy/difficult I find it to write the character.
E. The story/chapter/paragraph/phrase where I feel that I truly captured the character (if I've written them).
F. My plans (if any) to write the character in the near future.
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sayaka_sama:The Rules:
1. Comment to this post with the name of a character that I have written in fics. Or geeked out about. Or RPed. You should probably make sure it's one I've written more than once or twice.
2. I will comment telling you the following:
A. What initially prompted me to like the character enough to write about him/her.
B. One of his/her best traits.
C. One of his/her worst traits.
D. How easy/difficult I find it to write the character.
E. The story/chapter/paragraph/phrase where I feel that I truly captured the character (if I've written them).
F. My plans (if any) to write the character in the near future.
no subject
I have trouble working with Sakura too, but for slightly different reasons. I can sort-of tell when she's IC (or close enough to work); my problem is getting into her head and working through her thought processes so I can say to myself "Is this how she'd react to this situation? Is this what she would think about this or that?" It's a lot easier for me to do that with The Boys because I have a (very weird) personality and thought processes similar to theirs.
But YES, I want to see Sakura stand up to Sasuke and - preferably - beat him upside the head with the metaphorical Two-By-Four Of Emotional Epiphanies.